Vittles, songs and dance are amply ladeled out when Judy Garland headlines The Harvey Girls, a joyous musical slice of Americana celebrating the restaurants that brought extra helpings of civilization to Old West rail passengers.

We follow a band of American soldiers as they engage the Germans in a snowy, foggy winter near Bastogne in World War II. They're low on fuel, rations, and ammunition; the Germans are constantly encouraging their surrender via radio and leaflets, and most importantly, the pervasive thick fog makes movement and identification difficult and prevents their relief by Allied air support. This film focuses much more on the psychology and morale of the soldiers than on action footage and heroics. Written by Michael C. Berch mcb@postmodern.com

During the World War II, a soldier is hit by a grenade that deforms his face and leaves him with amnesia. Sometime later, he is recovered and learns that his name is George Taylor and he is discharged from the army. He finds a letter written by a man called Larry Cravat that would be his pal and he goes to Los Angeles to seek out Larry Cravat to find his identity. He goes to a bank, a hotel, a Turkish bath and a night-club following leads. He is beaten up by Hubert, the henchman of Anzelmo that dumps him at the front door of the singer Christy Smith that works in a night-club. George tells his story to her and Christy decides to help him. She calls her boss and friend Mel Phillips that schedules a lunch with his friend Police Lt. Donald Kendall and Christy. They learn that Larry Cravat was a private investigator that somehow received US$ 2 million three years ago from Germany from a Nazi that was immediately deceased. Then George receives a tip to go to the Terminal Dock where he ... Written by Claudio Carvalho, Rio de Janeiro, Brazil